Artem Miachin

Hello. My name is Artem. I'm thirty years old.
My goal: Find a job where I would can use my main skill - it’s writing an attractive text for the reader.
I think my advantage this some scripts. It’s two feature, which is already written. My experience is about four years in the scriptwriting craft.

I want to realize myself in Hollywood, not just as a typical scriptwriter, but achieve great results in my calling - cinematography. I'm being into the scriptwriting craft about four years. I believe that this task is quite possible for me. In my job I often refer to typical meanings: the struggle of good and evil, the motives of the characters' actions, which can help someone to understand his life problems. In Hollywood many films in which the theme of Christianity and universal values are traced into the essence of a filmstrip itself. They're disguised behind an external picture. Again, this is my opinion, but it is from this point of view I have always watched the movies, was thinking that the purpose of art is to help somebody. Sometimes, the outer colorful of the reel of film is sacrificed for it. I think my strong sides the ability the convey those emotions or thoughts which the character feels. It will appropriately recall here about an example from the film "Atonement" with Keira Knightley and James MacAvoy. The moment when Robbie sends a letter to his lover Cecilia through her little sister Briony. That letter, which he wrote second after the vulgar, but ridiculous first letter. However, when he looks how Briony is escaping with the letter and struck his lighter, he suddenly recalls that he was performing exactly the same action with his lighter before, at the time when he forgot to change the letter in the envelope by mistake. This is evident into his eyes, thirsting for the reaction of Cecilia, but at one moment fear is appearing into them, when he understands which of his letters now has into hands of Briony. He begins loudly screams her, but it's too late... It is of such trifles a good picture develops. This remains into the memory for a long time. On such films I studied the art of creating a good script. So I can to call them my teachers, along with Syd Field. Thanks to his books I know the structure of the script - its body. The other interesting move, which I have seen in the series "The Games of Thrones", i'm fan of it, it is some smoothness, continuity in the plot. When one scene flows to the next after its. For example, a scene in the castle in the bedroom. There's while the characters talk each other, on the background we see an open large window, there is the sea is behind its, and farther the horizon lies. Light breeze from the sea, bothers curtains. It is blowing over bodies, whos are lying in the bed. Then the scene of the filmstrip takes us to the open sea. There's in a storm the other hero of the television series is trying to cope with the control of the boat. And all of this happens unobtrusively, without inclusion in the essence of the plot, but complements the history with "fluidity". This is noticeable not every spectator, but when viewing a different tape, the "tornness" of the plot offends the eye. Maybe somewhere this move was used earlier, but for the first time I saw its in this television series. My one more strong skill it is the ability to show the scene so that it may tell about the character a lot, either not using the dialogues, or making these brief. That so strongly attracts in Hollywood of reel of film. So, for example, in the film "Logan", where Wolverine is pretty aged, squeezes from his body bullets which he "earned" in a shootout with the bandits in beginning of the filmstrip. He looks tired and aged. He's difficulty overcoming a pain. His regeneration is occuring already not as instantaneous as it been in the past. Of one the scene in a few moments, you can to learn more about that happened with his life than if the same story was narrated through dialogues, for example in a conversation with Professor Xavier. However, it hasn't been impassioned so clearly and dramatically. But most of all in the scriptwriting craft, I like the creation an interesting and attractive characters for audience. Their dramatic purpose, the structure of the plot, connecting the lines of life of heroes among themselves. I hope that everyone of my films in the future will teach someone. After all, when you understand something yourself - you are growing over yourself.