When done right, films seen through the eyes of one character can have a powerful impact and guide the viewer's perception towards the writer's POV about the subject matter. LMU screenwriting professor Paul Chitlik examines how it was accomplished in the classic film To Kill a Mockingbird.

Paul Chitlik - Loyola Marymount University

Loyola Marymount University • LMU.edu

Screenwriter • Script Consultant

Wrote, produced, directed more than 200 hours of TV. Have had four features made. Nominated for WGA and GLAAD Awards, won a Genesis Award. Taught at UCLA, Univ. of Barcelona, UNIACC (Chile), EICTV (Cuba), ScreenWest (Australia), and Loyola Marymount University.

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POV Isn't Just a Camera Angle: An in-depth analysis of To Kill a Mockingbird

by Paul Chitlik - Loyola Marymount University

Article, 5 pages Viewed by: 33 Residents and 1196 Guests

When done right, films seen through the eyes of one character can have a powerful impact and guide the viewer's perception towards the writer's POV about the subject matter. LMU screenwriting professor Paul Chitlik examines how it was accomplished in the classic film To Kill a Mockingbird.

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Loyola Marymount University • LMU.edu

Screenwriter • Script Consultant

Article, 5 pages
Viewed by: 33 Residents and 1196 Guests

Do you have an idea for an article you want to share with our screenwriting community?

If so, click the button below and let us know about it!